Ai Koyama was born in Japan. She started Ballet at 5 years old with Tatuo Kasuya. She graduated from the Ochanomizu National University in Tokyo and from the School for New dance Development in Amsterdam. She worked for the Heddy Maalem Company (FR) and joigned Linga in 2007.

attended courses at the Conservatoire de La Rochelle before being admitted to CNSMD in Lyon. She worked for Nasser Martin Gousset, Pierre Pontvianne, Meyer Chaffaud Company before joining Compagnie Linga in 2019.

Jean-Yves Phuong (France) graduated from the Ecole Supérieure de Danse de Cannes Rosella Hightower and worked at the Cannes Jeune Ballet (FR). He joins Compagnie Linga and takes part in the productions Concerto and Tabula.

Cindy Villemin (France) was an architect before becoming a dancer. She began training at the age of 25 at the CNR of Bordeaux. She quickly joined Claude Brumachon's CCN of Nantes. She then collaborated with various choreographers such as Ole Khamchanla (FR), Lisa Magnan (AT), Dorian Kaufeisen (CH), and Samuel Mathieu (FR) before joining the Linga company for the creation ONA.

German Schwab is an independent lighting lesigner and musician. He works currently as technician at the Octogone Theatre. Since 15 years, German is the tour technician of the Compagnie Linga for whom he has created the lighting design of many productions (Step 1, We are not I, Solographies, Tabula and ONA).

Csaba Varga (Hungary) studied at the Experimental Dance Academy Dance of Salzburg (AT) and at the Contemporary Dance School of Budapest (HU). He worked for Kubilai Kahn Investigations (FR), Kaori Ito from Les Ballets C de la B (BE), Anton Lachky Company and GN/MC (Guy Nader and Maria Campos), before joining Compagnie Linga for Line up. In parallel, Csaba is currently working with HODWORKS (HU).

Aude-Marie Bouchard (France) graduated from the CRR of Boulogne-Brillancourt and continued her training by joining the Junior Company Le Marchepied. After having been an intern at the Linga Company and having followed the Bachelor's degree in contemporary dance at the Manufacture (Lausanne), she joined the company for the production Flow. At the same time, she collaborates in various in situ projects, notably for the company San.TooR in Performances at the Montreux Art Gallery, for the improvisation festival at the Grange de Dorigny Theater, or in the space of the Vanves train station as part of the Grand Paris Express project won by the Crème fraiche collective and Beatandbeer.

Erwin Le Goallec, born in Paris (FR), trained at the Académie de Danse Internationale de Paris and at the CNSMD de Lyon. Black belt in karate, choreographer for several pieces, Erwin then collaborates with Hervé Robbe and the Maioui Company. He joined the Linga Company in 2020 for COSMOS.

Clélia Mercier (Belgique) trained at the Rudra Béjart School and worked with the Béjart Ballet Lausanne. Then she collaborated with Julio Arozarena, the Marchepied Lausanne and the Cisco Aznar Company. She joined the Linga Company in 2020 for the production Flow.

François Robin (France) “Veuze” piper (bagpipes from Nantes), doudouk and violin, passionate and inventive, explorer of sounds, François Robin has forged a place all his own on the scene of today’s traditional music. His approach consists in a constant exploration of the instrument, to divert it from its primary use, from its reality, and to play with all the elements that make it up. To make it a “multi-purpose” instrument. For that, all the means are good, the objective being to expand the field of sound possibilities of this bagpipe, and in finality, to change the glance which one can carry on this instrument so typified, so connoted. One of the great faculties of traditional musicians of all times is their ability to adapt to their changing environment.

Martin Angiuli (Puglia/Italia) trained at Tersicore and Accademia delle danze in his hometown, then in Florence at Balletto di Toscana. He starts his career in 2012 in Italy with Compagnia Fabula Saltica, Compagnia Le Supplici, Compagnia Abbondanza/Bertoni, RBR Dance Company, Teatro Reggio di Torino and many others. Since 2014 he resides in Germany and works with Landesbühnen Sachsen, Theater Nordhausen, Tanztheater Erfurt, Staatstheater Wiesbaden/Darmstadt and Theater Dortmund. He also works for various European independent productions. Martin is the director of ConTrust Collective M.A. and is also a teacher, choreographer, video artist/editor and professional writer. He joined Compagnie Linga in 2021.